I set up at my buddies’ local toy and comics show yesterday. It was the first time I brought any Megos out for sale, to go with the Hallmark ornaments I’ve been selling for a friend.
Sales were light as the traffic was pretty limited due to the inclement weather. But I think this model might be workable. I had a couple of people stop by the table, and instantly smiled and fell into reminiscence about their Mego figures. One even told me that he had a few that were broken. I told them I could fix them and we exchanged numbers. Another dealer asked me, after he saw what I had out, if old, broken Megos had any value. I said, “They do to me.” He even had them with him but not on display. He got them out and we worked out a deal.
Now, this might look like a pile of junk to most people, but to me, it’s a gold mine. I mean, yes, some of it is junk. But the Captain America, Aquaman, and Conan were decent, despite Conan missing part of his leg. And let me tell you, whoever owned these toys as a kid must have been as mean as Sid Harris in Toy Story, because they weren’t broken at the knee joints like most Megos break, but they were broken below the knees, where it’s nothing but solid plastic. That takes some serious torque. But after a bit, I was able to harvest fresh vintage knee pins from each one. So, another great reason to do little shows in the area!
Another dealer was working on his own collection and had his Dukes of Hazzard Megos with him. They were in need of repair and I told him I could help him out. I said that next time, I would just bring my spares and tool boxes with me and repair stuff right at the show! I think that would be cool to do. If it becomes known that I do on-the-spot repairs at shows, people will bring business to me!
But the best bit of the day came when my good friend Bruce Nelson just suddenly appeared in front of me. Bruce is a special kind of friend. He drove all the way from Indianapolis just to see me at the show!
I met Bruce at the first C2E2 convention I did with Solution Squad, and he encouraged me to apply for the Lilly Endowment Teacher Creativity Fellowship, which I did, and received! We’ve been friends ever since.
You know, sometimes when I write about the past, people tell me that I make it sound like they are there. I take that as about the highest compliment a writer can be paid. But to me, there’s more to it than that. When I write about the past, it’s sometimes like I want to be there.
I have a vivid memory. It’s colorful. It’s full of sights and sounds and smells. And more recently, I have discovered the tactile sense of memory to be important as well. Working with and on the action figures of my youth has brought about a whole new perspective about my reminiscences. For example, when replacing a boot on a Mego Superman figure, I remember that sometimes it’s easier to get the boot completely back on the figure’s foot than others. You have to extend the foot by bending the ankle to point the toes to insert the foot. Then when the toes reach the sole of the boot, ideally, the foot bends back to flat again, the heel slides in, and the rest of the boot slides on easily over the calf. But sometimes it’s difficult. Sometimes the toes of the figure want to dig straight in the sole of the boot at a right angle and they don’t want to make that final slide. I have spent half an hour trying to get a boot on a Mego toy before, working the insertion at different angles, trying to get it to slide in just right. There’s a satisfying give when it finally happens that’s almost like flipping a switch in my brain that releases endorphins.
I think that’s a part of toy collecting that is overlooked by the people who don’t understand the hobby. When I watched the joyous faces of very serious 40-year-olds as they transformed their Optimus Primes from robot to truck and back again out of sheer rote and physical memory, that’s when I understood it. It isn’t just photos, videos, foods, and songs that take us back. It’s touch as well, and it isn’t just old people. It’s holding something in our hands that we held when we were the happiest in our lives; before we had responsibilities and our imaginations were curtailed by rules, discipline, and structure. And in my case, abuse. If you have read any of this blog at all, you know that I focus on those scant weeks of happiness in the midst of years of horror. It’s almost like there was no way I got enough of that joy during those five years of abuse, and I’m going back to get more, no matter what anyone thinks.
It’s more than that. Not only am I surrounding myself with many of the toys I never had (and was not allowed to play with even if I did have them), but I’m fixing broken toys so that more people can experience the same joy I do. It’s a similar feeling to when I was teaching. I tried, successfully at times, to be the teacher I needed when I was that age. Now that I don’t have that, I’m finding it another way.
Nothing is too mundane for me to write about in this blog. And today, I’d like to write about ketchup. Now, you might think that it’s a topic that is relatively meaningless in the world, and you might be right. But in my long and storied life, even ketchup has played its part in the drama.
When my mom was young, she was not what anyone would consider a great cook, by any stretch of the imagination. That’s not to say that it was always the case. Over the seven years she was married to my dad, my Grandma McClain took her under her wing and brought her right along, and Grandma McClain was a farmhouse cook. She could put on a spread. But in the early days of my life, my mom didn’t cook a whole lot. What she could cook, though, was fried potatoes. She would get them sliced really thin, and fry them in a pan with butter and onions, and it was just about one of my favorite things to eat as a kid…with ketchup, of course, as she taught me. Naturally, I ate ketchup on other things, like hot dogs and hamburgers and such, but my primary use of the condiment was on Mom’s fried potatoes. There just wasn’t much better than that.
If we fast-forward a couple of years, though, it gets ugly. Everything does. By then, Mom was with Steve, the father of her newest child, and my dad was in the rear-view mirror, married to Steve’s ex-wife. One of the things Mom did best to make me happy was to make her fried potatoes. We had a pattern in our meals during those years. On Saturday, Mom made pancakes on the electric griddle, and on Sunday before church, she made eggs and fried potatoes. And the very first time Mom made the fried potatoes, I was so excited that I just reached for the bottle of ketchup that was already on the table. I never saw the backhand coming that caught me under the eye. I should have sensed it, but I was temporarily distracted by the prospect of fried potatoes. When my vision cleared, I tearfully asked what I had done wrong. “You didn’t even try the food your mother worked so hard to prepare before you were going to smother it in ketchup,” he nearly hissed. I looked desperately at my mother, whose potatoes were already covered, and she gave me a look that said, just take it. He had taken everything else away from me, and he took that too.
A few years later, Steve took a job in another county, staying with my Grandma B in her spare attic room, while we stayed in Hastings, left to our own devices, and I have to say that it was one of the happier times of my life with him. Mom let us watch TV while we ate, which was unheard of when Steve was around, and more nights than not, she made us fried potatoes for dinner, and I was allowed to put as much ketchup on them as I wanted. As I have said before, my mom did her best to keep us from being completely destroyed at Steve’s hands, and that memory remains strong in my mind as an example of that.
Years again later, when I went to live with my dad, the chains were definitely off. I was often left to myself for most of the day and many nights, and I was expected to feed myself. It was at that point that ketchup became its own food group in my diet. My diet consisted of TV dinners (yay, Salisbury Steak!), pot pies, and hot dogs or macaroni and cheese. Side dishes often included corn chips and cottage cheese. Everything was easy for me to prepare, but the lack of variety produced a need to experiment. It was at this time that I started putting ketchup on macaroni and cheese. As I have writtenbefore, we didn’t get the good Kraft dinners; we bought the cheaper store brand. It needed something. And what do you know, it wasn’t bad! Then I remembered hearing that Richard Nixon liked to put ketchup on cottage cheese, so I tried that. It was great! I couldn’t really stand cottage cheese otherwise, so I started eating it that way all the time.
We just had macaroni and cheese for dinner, and even though it was the fancy Kraft dinner kind, I still had to put ketchup on mine, for old time’s sake. Think I might fry up some potatoes tomorrow!
I finally got it. After three and a half years, I caught COVID-19. Not sure where or when, but the test was positive and of that there could be no doubt. So, five days of isolation were ordered, and I could think of no better time to jump into Ted Lasso.
Several of my friends recommended this show; so many, in fact, that I found it difficult to believe the hype. But right from the get-go, this was my kind of show. An quick barrage of dad jokes and pop culture references made me feel right at home, but I was not prepared for the uplifting message behind it all. If you haven’t seen the show, Ted Lasso is an American division 2 football coach who is recruited to coach soccer in London. No, he has no experience with soccer. He doesn’t even know the rules. Why has he been hired? Well, the owner’s motive is right out of Major League. She wants the team to fail. It seems A.F.C. Richmond was her philandering ex-husband’s pride and joy, she got the team in the divorce, and her plan is to run it into the ground. That’s where the similarities end, though. There is no cynicism in this show. It’s simply not done. Every character has motives that are consistent with who they are. They react out of love, jealousy, anger, fear, and pain, and Ted Lasso is usually there to explore their motives and to persuade them to be the best version of themselves. He just brings it out in people.
I watched all three seasons over the course of a few days, and I have to tell you that after being immersed in this world, I’m going to make a few changes in myself. First, I’m going to try to be more curious and less judgmental. Second, I’m going to try to make the folks around me know how much I care about them and appreciate them. And third, I’m going to start saying, “Oi!” a lot more.
I have always loved both characters, Batman and Superman. When I was first able to walk and talk, the Batman TV show inspired me in myriad ways, starting in January 1966. Later in the same year, in the fall, the New Adventures of Superman cartoon was on CBS on Saturday mornings, and I loved that, too, especially the eight-minute Superboy sequences parked between two eight-minute Superman shorts. There have been times in my life where I have swung like a pendulum from one side to the other. As a small child, I couldn’t help but be swayed by Batmania. It was in full effect, like it was made for me. I had Batman slippers, Batman pajamas, Batman dinnerware. If Batman action figures (besides the Captain Action outift) had existed then, I wouldn’t have gone anywhere without one. As it was, I had a plastic cake decoration that served the same purpose.
1966 Batman cake topper by Wilton
But as I got older and Batmania started to fade from the national consciousness, I started to learn that Superman had an older and deeper public presence. He’d had a radio show from 1940-1949, a series of animated movie shorts from 1941-1943, and a television show from 1952-1958. When the 1966 cartoon show came on, I didn’t have the first clue that it used three of the voice actors from the radio show (as did the animated shorts in the 40s) because I didn’t know there had been one!
As far as I knew, the New Adventures of Superman were the first adventures of Superman. When I found out that Superman had had a radio program, I was eating breakfast in 1976, reading the back of a box of Kellogg’s Corn Flakes:
By that time, I had been introduced to War of the Worlds and the Lone Ranger, but I had no inkling that there had been a radio show featuring Superman. I thought for about a second about asking for it, but I might as well have asked for the moon because I was still living with my stepfather, who had burned all of my comic books and forbade any such stuff in his house. Oh yes, I have them now, all four volumes. Of course I do. But I don’t really need them, because we live in a time of wonders. Back in the early 1990s, a company called Radio Spirits really got into cleaning up and preserving old radio broadcasts, including Superman. At first they released them on cassette, then compact disc, and among their popular releases was Superman. I was an early adopter, buying both cassettes for the car and my vintage-appearing radio/cassette player, and later, CDs, and then finally switching to USB drives, I can listen to Superman for pennies per episode. And I do. I listen to it every day on my way to and from work. I guess you could say that I’m swinging back toward the Superman side of my fandom right now. I’ve even gone to the point where I have a reproduction box of Kellogg’s Pep, which was the sponsor for the show, as well as one of the comic buttons that they advertised twice an episode.
Superman had his own sort of Batmania in the late 1970s with the December 1978 release of Superman The Movie. Double-album movie scores, trading cards, t-shirts everywhere, oversized comics celebrating the character’s past and present, movie tie-in novels, quiz books, there was no shortage of Superman.
One of my favorite products of that line of Supermania was (and is) the novel, Superman: Last Son of Krypton, by Elliot S. Maggin. Elliot was one of the prominent Superman writers of the period, and I thought he wrote a wonderful novel. Despite the fact that there were photos from Superman The Movie included in the book, the novel did not share its ice-planet vision of Krypton. It pulled strictly from the mythos of the comics, and their wonderful and sometimes absurd situations, even sometimes adding to them by suggesting that Jor-El sent a telepathic probe to seek out Earth’s greatest mind in order to have someone fitting receive baby Kal-El’s rocket as it arrived. Instead, the anonymous scientific genius, whose not-so-subtle nom-de-voyage was Calvin Eisner, arranged for the elderly Kents to be the first to find the rocket under the illusion that they were at a certain location to buy a used tractor at a good price. “Eisner” had wisely chosen not to raise the child himself, but instead chose the salt-of-the-earth Kents after meeting with Smallville’s Chief Parker and getting the lay of the land, if you will.
Maggin additionally added layers to Lex Luthor, who actually merits some sympathy due to his upbringing in this story, as well as its 1981 sequel, Miracle Monday. Both books really dig into what it was like for Clark Kent to grow up, perhaps implausibly, in the same hometown as the boy genius who would grow up to be his archenemy. A lot of time is spent in both books, especially the second, exploring what it would be like to grow up with superpowers, and even just to have superpowers. That kind of expanded storytelling appealed to me in a more adult way than comics ever could, and did what so few kinds of entertainment of the day did: It made me think. As a kid living in the country without the virtues of streaming entertainment or even cable television, I had pleny of time to think during the day, letting my mind wander into the clouds where Superman could dwell. The memory of the day I met Elliot and shook his hand, telling him what his stories meant to me, will remain with me forever.
Elliot Maggin and me. Of course I was wearing a BATMAN shirt when I met him!
The Superman movie that Elliot’s book supposedly tied into was quite different. It was a very interesting period piece, honestly. The Metropolis of 1978 was supposed to reflect the Manhattan of the time. Now, I visited Manhattan in 2004, and I thought Times Square was incredible. Shops everywhere, a three-story Toys R Us, so much fun! It was a far cry from the downtown of 1978. “Funky” would be the nice word to use. It’s been the setting of many movies that feature the filth and the grit of the area, like Midnight Cowboy, for example. And Margot Kidder’s Lois Lane seems to fit right in with her harsh and cynical no-nonsense attitude.
Right about that time, a book called Superman: Serial to Cereal was published, and went into some detail about the screen history of Superman, including the Fleischer cartoons, the movie serials starring Kirk Alyn, and the Adventures of Superman TV show, starring George Reeves. The Adventures of Superman came back to TV in my area thanks to syndication, and I rushed home to watch it every day after school. I even checked off the episodes that I saw in the checklist in the back of the book.
This was a connection that my dad had with me. This show had started when he was nine years old, and he had watched it faithfully. This, more than even comic books, is where his impression of Superman came from. I find it funny now that he thought Christopher Reeve was too scrawny to be Superman, compared to the obviously padded suit that George Reeves wore.
Yes, I still have the original book!
It was in this same book that I learned of the existence of the Fleischer Studios Superman cartoons, but it would be a few years before I ever saw one. I saw the Fleischer Studios Superman cartoons at my very first comic book convention in 1984. Someone was playing a VHS tape on a tiny portable TV. Since then, I’ve bought them on VHS, DVD, and now on Blu-Ray. As I said above, the connections to the radio show were strong, as they used the voice actors for the radio program when making the cartoons. The Fleischer design of Superman is generally the visual image I use when participating in “the theater of the mind” of the radio show. The Superman of the animated shorts and the radio show is sometimes quite different from that of the comics.
There have been various homages to those incredible pieces of animation history. Some of them are direct, and some of them are more subtle. Such is the modern world where everything is available at our fingertips. I was once one of the very few who appreciated the cartoons. Now, they’re ubiquitous. It’s a great time to be a fan!
Emerging from obscurity: The 1940s Superman cartoons’ influence today
