Spoilers for Season Two, Episodes 1-5 of Star Trek: Strange New Worlds follow. Go watch it!
Well, that was a whirlwind! I just finished watching the second season finale of Strange New Worlds season two, and I have to say, the whole thing went by much faster than I wanted it to. Using the modern format of 10-episode seasons made popular by the BBC and carried into the cable/streaming era here in the United States, SNW made the most of a limited format, carrying overarching character plots. Despite the episodic feel of the show, a deliberate departure after the slow, soap opera-like burn provided by its immediate predecessor, Star Trek: Discovery, we got satisfying character development arcs from many of the main characters.
In episode one, The Broken Circle, we pick right up where they left off last season, with Number One, Lt. Commander Una Chin-Riley, in Federation custody for lying about her species on her Starfleet application, which takes Pike right off the screen for the season opener, which I thought was an odd choice. This leaves Spock in command to answer a call from La’an, who took a leave to find Newt’s–er, Oriana’s parents from season one, episode nine. Against Admiral April’s orders, he steals the Enterprise for the very first time (see many other episodes of Star Trek for reference) and goes to her aid. We also get a brand-new chief Engineer in Carol Kane’s eccentric Pelia, and a dark backstory for both Chapel and M’Benga, who relive a little of their war experiences as they reveal a Klingon plot to restart the recent war. Spock ends up being a successful diplomat with the Klingons due to his willingness to drink Bloodwine. Spock is obviously still afflicted by emotions that he lost control of in S01: E09. M’Benga gives him the famous Vulcan Lyre to help deal with his overwhelming emotions, especially in regards to Christine Chapel. That was a lot to unpack for one episode! No wonder they sent Pike off-screen!
The second episode, Ad Astra Per Aspera, gives us a fantastic trial story, which is one of Star Trek’s true strengths. Through the years, there have been a number of great ones, from TOS’s Court Martial to TNG’s The Measure of a Man. This one is just as good. We get a healthy dose of Number One’s backstory, with the difficulty of an Illyrian trying to live within the Federation. It’s nothing short of inspiring. We also get to see Captain Pike’s sometime girlfriend, Captain Batel, back to prosecute the case. This lays groundwork for their relationship for the rest of the season as well. But one of the things that Star Trek does best is to hide modern issues under the veneer of science fiction. This episode was all about civil rights and identity politics and was well done. And just pencil Yetide Badaki in for an Emmy for best guest performance in a drama. The only thing that kind of tripped me up about this episode was wondering why Captain Batel was a prosecutor working for the JAG office when she’s a starship captain, in command of the Cayuga. She even refers to her “boss,” Vice Admiral Basalk, a Vulcan with a mean streak.
Then, in the third episode, Tomorrow and Tomorrow and Tomorrow, we get thrown for an entire loop, with a seemingly random time travel episode featuring La’an Noonien-Singh and her new boyfriend, Captain James T. Kirk?? What? La’an encounters a time traveler, who puts her on a path to another timeline where there’s no Federation because of an event in the 21st century. She and alternate timeline Kirk do the buddy cop thing and are whisked off to what Kirk thinks is New York City. It’s actually Toronto, which is hilarious because Toronto often stands in for New York in television. After the trademark Star Trek bit where local clothing has to be procured, Kirk gets them some operating capital by hustling chess. I love this particular bit, because so often Kirk is relegated to a horny frat boy in today’s thinking. But TOS first season Kirk was a master strategist, and beat Spock at three-dimensional chess, so this was a great callback to his original depiction in TOS. As with so many time travel stories, they are confronted by whether or not to kill Hitler, or in this case, Khan Noonien-Singh, La’an’s ancestor and Kirk’s deadliest enemy (in the future). In the process of investigating the source of a bridge explosion, they need ground transportation, and this Kirk shows his aptitude for driving cars is far superior to his prime timeline counterpart. The kicker is, though, that La’an falls in love with alternate timeline Kirk. She finally lets her very tightly-wound hair down a little, but he’s killed. La’an spares Khan, who by Star Trek history, should have by now already taken over a quarter of the world, but due to Romulan and other time-travelling interference, the timeline has been officially altered. The timeline is restored, but La’an is forever changed, and according to regulations, is forbidden to talk about it. La’an contacts the James Kirk in her timeline under the pretense that she’s checking on his brother Sam, which leads to some great stuff down the road.
The fourth episode, Among the Lotus Eaters, requires an aside. This title is so reminiscent of TOS, it’s just perfect. It’s metaphorical, and has no actual literal connection to the episode. It does have a literary connection, and that’s something the original series did to the extreme. A nice touch. Pike takes a step back from Batel just as she is refused a promotion, blowback from her weak prosecution of Una. Terrible timing on his part. The Enterprise returns to Rigel VII, the very mission Pike describes to Phillip Boyce in the beginning of The Cage, the first TOS pilot. He goes into more detail about the people lost on the mission here, and chooses a small landing party, including the doctor. M’Benga is a little miffed because he was chosen for his combat skills. Starfleet has spotted a delta shape in a garden using photography, since the atmosphere of the planet prevents scanning. At the last second, Ortegas, who was jumping at the chance to fly a shuttlecraft down, finally getting to be on the landing party, has to remain behind to fly the Enterpise on a complicated course. When the landing party arrives, under cover, they are taken captive. The supposed bronze-age society is armed with phaser rifles. Turns out that Pike’s yeoman from five years ago, Zac, is alive and well, and ruling the people. He punishes Pike and company by deliberately exposing them to the planet’s radiation’s terrible effects, where they lose their memories every night. That’s where the title comes from in Greek mythology. With the radiation affecting the ship as well as the landing party, everyone is in danger, especially La’an, who is sliced open while defending Pike.
When M’Benga and La’an recover their memories after Pike overthrows Zac, the two most traumatized members of the crew realize that the short respite, thanks to not remembering, could be pleasant. In the end, Pike and Batel realize that very few people could understand each other the way they do, and they kiss and make up.
After four very serious episodes, the fifth gives us Vulcan highjinks again, like last season’s Spock Amok. I like Vulcan shenanigans. Charades delves into Spock’s struggle with the emotions released in S01:E09 to the point where, on the eve of meeting T’Pring’s parents, he is involved in a shuttle accident and an alien life force transmutes his entire genome into that of a human. Yes, when he wakes up, the ears are round. Now, I want to pause here a minute to talk about something very serious: Spock’s sideburns.
Spock’s sideburns were a mess during the entire first season. They were worse on Discovery when he finally shaved off his beard, but all through the first season of SNW, they struggled to get it right. It’s been great during the second season!
In Charades, Spock and Chapel are still dancing around one another, feeling awkward about their obvious relationship. To make matters worse, Chapel is applying for a Vulcan fellowship, studying with Roger Korby, whom we know is to be engaged to Christine. It’s part of her backstory, revealed in the TOS episode, What Are Little Girls Made Of? That makes us, the viewers, quite uncomfortable if we’re routing for Spockel–Chock? Whatever their merging would be called. Due to a shuttle accident, Spock is injured, then healed by an alien life force. Unfortunately, the source code they use to rebuild him was based on Chapel, who is completely human. Spock wakes up fully human and then the fun begins! Spock’s mother shows up in anticipation of Spock’s and T’Pring’s engagement dinner. She can tell immediately something is wrong. When they try to hide it, it’s very difficult for Spock to adapt. He almost strangles Sam Kirk in a meeting when Sam leaves a mess in front of him on a table. In the meantime, Chapel arranges for Ortegas and Uhura to travel adjacent to the anomaly that caused the crash, where they deal with aliens who I would call the Customer Servicians. They speak like the worst customer service people imagininable. In the course of Christine’s interaction with the Customer Servicians, she is forced to admit that she has feelings for Spock, admitting to a serious affection that she has had difficulty expressing for anyone for the entirety of the series. This character growth empowers her later when the Vulcan Science Academy turns her application for the fellowship down. During the engagement dinner, we meet T’Pring’s parents, and they are the most human Vulcans ever. T’Pril is an overbearing stereotype of a mother, and Sevek is the beaten-down husband whose testicles are being stored in a drawer. It is hilarious to witness the interplay between two Vulcans who are more human than Spock despite their full-blooded genomes. By the end of the episode, T’Pring has broken off the engagement with Spock, who reveals his temporary human nature to the in-laws to honor his mother, whom T’Pril has insulted continually since her arrival on board. This gives Spock and Chapel the opportunity to explore their feelings for one another, a tension that will be felt for the rest of the season.
To Be Continued…
